Thank You for Hearing Me: The Definitive Sinéad O'Connor Discography

Sunhouse: Crazy on the Weekend album

2 versions: CD, CD with unlisted 11th track

CD

1Crazy on the Weekend2:05
2Hurricane4:29
3Chasing the Dream5:10
4Spinning Round the Sun3:38
5Good Day to Die4:30
6Lips3:34
7Loud Crowd4:40
8Monkey Dead3:42
9Hard Sun4:37
10Swing Low4:04
11Animal7:28
12Second Coming4:04
unlisted

Catalog Information

Release DateCatalog InfoBuy It
1998.03.30UK CD

Independiente ISOM 4CD

Barcode: 5099748961525

View listing on Discogs DiscogsView listing on Amazon Amazon
jewel case
CD front, UK
CD booklet 2-3, UK
CD booklet inside, UK
CD booklet back, UK
CD inlay, UK
CD back, UK
CD disc, UK

CD with unlisted 11th track

1Crazy on the Weekend2:05
2Hurricane4:29
3Chasing the Dream5:10
4Spinning Round the Sun3:38
5Good Day to Die4:30
6Lips3:34
7Loud Crowd4:40
8Monkey Dead3:42
9Hard Sun4:37
10Swing Low4:04
11Animal11:32
includes the unlisted "Second Coming"

Catalog Information

Release DateCatalog InfoBuy It
1998.?IE? CD

Independiente?

jewel case

Produced by John Reynolds

(Source: Crazy on the Weekend)

Musicians

(Source: Crazy on the Weekend)

Gavin Clarke vocals
Paul Bacon guitars
Robert Brooks bass

Credits

Published by Independiente Music, Ltd.
All tracks recorded at Ghost Rooms
Recording engineers: John Reynolds / Tim Oliver / Oliver Jones
Mix engineers: Tim Oliver / Tim Pettit / Matt Gregore

Singles

"Monkey Dead" was released as a 4-track CD single (Independiente 10MS) around the time of the album's release. The other tracks are "Crazy," "Fallen Flower," and "Black Blood."

"Loud and Lippy," a 4-track EP, was released by Independiente in 7" (ISOM 19S) and CD (ISOM 19) formats; the latter may be only a promo. The tracklisting is "Loud Crowd," "Lips," "Black Blood (live)," and "Second Coming."

Promotion

An edited version of "Hard Sun" was issued as a promotional single.

Quotes

(Source: John Reynolds)

Recorded in the house over four weeks and mixed in Mayfair and Rack (London), this album relied hugely on the environment out of which it was borne. Gavin Clarke's incredible voice was so intimate that he required the privacy of the house, while the stand-up bass and slide guitar provided rich and wonderful overriding dynamics throughout.

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